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Capezio

Capezio "E" Series EJ2C Jazz Slip On(Little Kid/Big Kid)

$25

Capezio "E" Series EJ2C Jazz Slip On(Little Kid/Big Kid)

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Product description

The E Series jazz shoe from Capezio features a soft and flexible leather upper that molds perfectly to your little one's foot. Stretch fabric surrounds the arch for support and custom fitting. The split sole includes a textured design that offers traction on any surface. The perfect basic for your new dancer.

"p"Salvatore Capezio was born in 1871 in Muro Lucano, Italy. Uninterested in following in his father's footsteps as a construction engineer, he became an artist of his own right, a cobbler. In 1887, at the age of 17, he opened his shop on Broadway and 39th Street, diagonally across from the old Metropolitan Opera House in New York City. Soon, the shop became a meeting place for dancers who would stop by to discuss their needs and to get a pair of his shoes. As Capezio's popularity grew, dancers from around the world made it a point to visit him and purchase his shoes.  The innovation of the products that Salvatore Capezio created and the camaraderie he shared with the dancers molded the direction that his company would follow. In this image, the Capezio brand was established to promote and recognize ongoing achievements and participation in dance.  Capezio products remain in the forefront in quality and in technological advances with innovations like the split-sole, the stretch-insert, the Dansneaker and the Tapsneaker. Capezio believes that their success is dependent upon the individual commitment of each customer to continually set new standards of creativity and performance, while preserving a reputation for dependability and distinction. Capezio pledges their support and dedication to the advancement of dance, theater and recreation in communities worldwide.


From the manufacturer

Capezio "E" Series EJ2C Jazz Slip On(Little Kid/Big Kid)

Wine Words & Video Tape

Fine Wine Review site

Written by JW. Posted in Bordeaux

I was fortunate enough to have bought a reasonable spread of Bordeaux en primeur in 2005. At the time of purchase in 2006 there was a lot of hype surrounding the vintage. At that stage it was being compared to legendary vintages, like 1961. In many ways, it had been the first vintage since 2000 to really shout about in Bordeaux. The 2003 had its admirers of course, Parker amongst them, and that heatwave year made some thrilling wines – but it was also very inconsistent. I didn’t get the chance to taste the 2005s during primeurs, but those that did told me that, whilst it was evidently very promising, it was also somewhat tricky to judge with all the fruit, tannin, oak and acidity. Over the intervening years, I wonder if the vintage has lost some of its lustre, certainly relative to 2009 & 2010? There is an interesting piece from Jancis Robinson here worth a read from a few years back. So now that the vintage is sweet sixteen, just how are some of the wines faring?

Written by JW. Posted in Bordeaux

Final blog post for the moment on the reds of Bordeaux in 2020. I’ve grouped together notes taken on wines from the Médoc and Haut-Médoc in this post, as well as some specific communes like Margaux, Moulis, Listrac, St Julien, Pauillac and St Estèphe. All of these are based on samples sent by the Grand Cercle. I’ve yet to taste members of the Union des Grand Crus and there are a number of properties that I usually get to taste which I didn’t manage to organise this year. I hope to update these omissions soon. From what I have tasted the reds are fresh in the Médoc in 2020, although there is not the richness of 2019 or 2018 for me. In some there is a certain austerity and angularity. Wines tasted from the Haut-Médoc have good depth and colour, with freshness and zap, but again some can feel a little angular. A handful of wines tasted from St Estèphe look promising, with good colours and nice textures, and there were some nicely perfumed, fresh wines from Margaux. The few bottles I tasted from St Julien and Pauillac showed finesse, but were not quite up with the quality and concentration of the previous two vintages. Overall my tastings in these communes were not as comprehensive as those on the right bank this year. If you want detailed reports on the left bank wines I’d defer to others whose writing on Bordeaux I admire [Jane Anson, James Lawther, Chris Kissack, Neal Martin & Jeb Dunnuck all cover Bordeaux extremely well]. Nevertheless, I hope you find the notes on the following 24 wines useful.

Written by JW. Posted in Bordeaux

Attractive, mid-weight wines have been produced in Graves and Pessac-Léognan in 2020. Of the samples tasted, the aromatics were fresh and pretty amongst the reds, and the vintage has produced wines of medium body with ripe tannins. Overall, while there is a little more variation than in 2019, the impression is of good, well-balanced wines that should drink nicely in the near and medium term. The whites were not hugely aromatic for me but nevertheless the best had life, zest and texture and were appetizing. These tastings notes are based on samples sent by the Grand Cercle in the main, with a few additions. I hope to catch up with other properties and members of the Union des Grands Crus de Bordeaux at forthcoming events.

Written by JW. Posted in Bordeaux

There are many properties to search out in the St Emilion satellite appellations. For the last few years I’ve been impressed with the wines of Château Barbe Blanche, Château La Rose Perrière and Château de Lussac in Lussac St Emilion. There is real polish and style exhibited here by these properties. Over in Montagne St Emilion Coralie de Boüard is blazing a trail with Château Clos de Boüard but this year I have also been impressed with Château Faizeau, Château Messile-Aubert and Vieux Château Palon presented by the Grand Cercle. Overall in 2020 all these wines show strong colours and exhibit lots of extract but the winemaking is sophisticated and the tannins soft and pure.

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